In Perfection

I am interested in perfection and the different ways we perceive and identify with it. My work often begins with a set of instructions which leads to subtle variations according to my interpretation during the process of making. Perfection is never the final outcome, but is integral to my creative process. 

I often work with small series or editions, as this allows me space to create a narrative from my set of instructions. To move freely within a boundary, relaxing and allowing things to happen. Within this space I explore the unexpected through imperfections made by my hand, which evoke expressions of emotion. The repetition keeps my mind clear, the chatter fades and I can focus on the task at hand. The repetitive element naturally comes from this way of working, questioning the identity of what it is I am exploring and the often infinite possibilities and decision making on when to stop. 

‘Taking care’ is a part of my creative process. I give serious attention to what I am making to avoid mistakes, yet at the same time allow space for imperfections to happen. By using porcelain as a medium, I am drawing on a long history dating back to the Chinese dynasties where the material was first discovered.  It is such a naturally expressive material, to which I can add a physical presence through my narrative process, creating a series of objects that visually tell a story.